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Blue Moon

Blue Moon

Forgotten but not gone.

17 October 2025EN 6.7100 min
History
On the evening of March 31, 1943, legendary lyricist Lorenz Hart confronts his shattered self-confidence in Sardi’s bar as his former collaborator, Richard Rodgers, celebrates the opening night of his ground-breaking hit musical, “Oklahoma!”
Box Office: $1,940,624
lyricist1940switty

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Comments

CinemaSerf
Most of this is told by way of his chat with his favourite barman “Eddie” (Bobby Cannavale) whilst he is waiting for the after show party for “Oklahoma!” to begin. He had famously worked with Richard Rodgers (Andrew Scott) for many a year, though this latter man had become tired of his booze-driven histrionics and so teamed up with Oscar Hammerstein II (Simon Delaney) for this latest offering. Just in case we do need some reminding of his previous successes, “Knuckles” (Jonah Lees), gently serenades us with some piano accompaniment as a few additional conversations with the likes of acclaimed writer EB White (Patrick Kennedy), his ambitious muse “Elizabeth” (Margaret Qualley) and, of course, with his erstwhile partner play out with varying degrees of honesty and/or self pity.
Michelle Martinez
we were impressed by decent cinematography, nothing special. 2025 delivered a true winner with this one.
Brent Marchant
And, even if they did, wooing her would have probably been a tall order for a “bachelor” widely believed to be closeted gay man, one of New York society’s biggest open secrets.) Through all of these ordeals, Hart struggles mightily to maintain his composure with an endless stream of shots, all the while pouring out his feelings to his friend and Sardi’s bartender Eddie (Bobby Cannavale), author and fellow restaurant patron E.B. In telling this multilayered arc, the dialogues among this cast of colorful cohorts cover a wide range of subjects and are tinged with an array of moods from bawdy to heartfelt to hilarious to cringeworthy, a true rollercoaster ride of emotions.

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Viewer Opinions (6)

CinemaSerf@Geronimo1967
★★★★☆ 7.0
He had famously worked with Richard Rodgers (Andrew Scott) for many a year, though this latter man had become tired of his booze-driven histrionics and so teamed up with Oscar Hammerstein II (Simon Delaney) for this latest offering. Now right from the start, I rather liked the enigmatic and flawed Hart. …
29 November 2025VerifiedUser Review
MM
Michelle Martinez@martinezm5167 opinions · User since 2013
★★★☆☆ 6.8
we were impressed by decent cinematography, nothing special. Watched this with friends and the performances are serviceable but rarely inspired. …
28 February 2026User Review
B
Brent Marchant@Brent_Marchant
★★★★☆ 7.0
And, even if they did, wooing her would have probably been a tall order for a “bachelor” widely believed to be closeted gay man, one of New York society’s biggest open secrets.) Through all of these ordeals, Hart struggles mightily to maintain his composure with an endless stream of shots, all the while pouring out his feelings to his friend and Sardi’s bartender Eddie (Bobby Cannavale), author and fellow restaurant patron E.B. “Andy” White (Patrick Kennedy), and barroom pianist Morty Rifkin (Jonah Lees). tbh I noticed that this change represented a devastating blow to the prolific lyricist, especially when the new duo’s musical was showered with rave reviews, the revelation of which Hart witnessed firsthand at the opening night party for the show, held at New York’s legendary Sardi’s restaurant. …
3 December 2025VerifiedUser Review
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Last updated: 2026-03-11